click below
click below
Normal Size Small Size show me how
Music Concepts S-Z
Term | Definition |
---|---|
Scales | Series of notes in alphabetical order which are the basis of melodies and harmonies |
Sections | Structural divisions of music either identified by their function (e.g. Introduction) or by a letter (e.g. ‘A’ section) |
Sectional forms | Structures such as Binary or Ternary whose design divides music into distinct sections |
Sequence | A melodic pattern repeated at a higher or lower pitch |
Simple metres | A description of metres with dotless beats, pulses in 2s and a running feel |
Slide | A small glissando |
Solo | A term associated with featuring. Either (1) an unaccompanied piece delivered by a single instrument or voice on its own; (2) a piece for a feature instrument supported by an accompaniment; (3) the music where the soloist features while improvising |
Sonic lustre | A description of timbre in terms of its brightness |
Sostenuto articulation | A playing technique which results in successive notes overlapping each other |
Stabs | Abrupt bursts of subordinate layers which immediately disappear, leaving a relatively thin, dominant layer to feature |
Staccato articulation | A playing technique which results in successive notes being short and detached from each other |
Staggered entry | A method of increasing density by gradually adding layers or sound sources |
Staggered exit | A method of decreasing density by gradually subtracting layers or sound sources |
Strophic form | A song structure where the same music is repeated for each new verse |
Structure | The concept which refers to the design of the music and examines the occurrence and the organisation of sections and sub-sections |
Style | A classification of similar-sounding music into a single genre |
Style ensemble | A band distinguished by the kind of music it plays (e.g. Latin band, blues band or soul band) |
Sub-sections | Structural divisions of sections of music |
Subordinate layer | Any layer which has a tendency to support by providing an accompaniment |
Syncopation | The displacement of an expected emphasis to create a rhythmic surprise |
Tempo | The pace of the music as determined by the speed of the beat |
Tension decrease | A gradual decline in the excitement level of the music |
Tension increase | A gradual build-up of the excitement level of the music |
Ternary form | The structure of music with three distinct sections, the third being a repetition of the first |
Texture | The concept which refers to the layers within the music and how they relate to each other |
Theme and variations | The structure of music with distinct sections, which are varied repetitions of the initial musical idea |
Through composed | A song structure where the musical accompaniment varies in character to reflect the changing feelings of the lyrics |
Tierce de Picardie | The use of a major chord to end a piece in minor tonality |
Timbres | The sound qualities which can be produced by an instrument or voice |
Time signature | A fraction placed at the beginning of music notation, indicating how many and what kind, of beats or pulses there will be per bar |
Tonality | Refers to the combined melodic and harmonic ‘flavour’ of tonal music |
Tonal music | Music which sounds like it has a tendency to be drawn to the tonic or home note |
Tone colour | The concept of music which refers to the orchestration of music |
Tone colour | The choice of instrument/s selected to play a musical part |
Tonic | The technical name for the first note of a scale |
Tremolo | The technical name for the first note of a scale |
Tremolo | The rapid repetition of a note |
Trill | Rapidly alternating two notes |
Triple metre | A description of metre where the beats are accented in regular patterns of three |
Triplet | Three notes played in the time of two |
Turn | Four notes (the note above, the note, the note below and the note again) sung or played as an embellishment of the original note |
Unison | The simultaneous performance of a part by two or more instruments of voices |
Unity | Created by restating musical ideas and used by composers to provide the comfort of familiarity |
Unmetred | A description of beats without patterns of accents |
Verse-chorus form | A song structure in which verses and choruses alternate |
Vibrato | The technique of slightly wavering around an intended pitch to create expression |
Walking bass | A bass technique typically used in jazz music which features scaly passages and broken chords played on the beat |