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CH 14
Principals of Hair Design
| Question | Answer |
|---|---|
| The area in a design where the eye is drawn first before traveling to the rest of the design is called the | emphasis |
| A regular pulsation or recurrent pattern of movement in a design is referred to as | rhythm |
| When two imaginary halves of a hairstyle have an equal visual weight but are positioned unevenly, the hairstyle is considered to have ______ balance | asymmetrical |
| Balance is described as establishing equal or appropriate proportions to create | symmetry |
| When designing a style for a woman with large hips or broad shoulders, the stylist would normally create a style with | more volume |
| For a client with gold skin tones, ______ haircolors are more flattering. | warm |
| Chemically infused services that make changes in the natural texture, curl, or ______ in the hair are considered permanent and will never revert back to the original pattern. | wave pattern |
| For ease of styling, _______ hair is generally best cut short | very curly, fine |
| Which type of hair offers the most versatility in styling? | wavy, medium hair |
| Left natural, _____ hair may not support many styling options. | straight, fine |
| Which is not a physical characteristic taken into account when designing an artistic and suitable hairstyle? | Natural hair color |
| Design texture can be created temporarily with the use of | heat and/or wet styling techniques |
| The triangular section that begins at the apex, or high point of the head, and ends at the front corners is called the | bang area |
| The ____ profile has a receding forehead and chin | convex |
| To offset or round out the features of a square facial shape, the styling choice is to | create volume between the temples and jaw |
| Lines that may move in a clockwise or counter-clockwise direction to create the illusion of movement are ____ lines. | curved |
| To create width in hair design, use ____ lines. | horizontal |
| To create length and height in hair design, use ____ lines | vertical |
| If a male client has ________, a fairly close-trimmed beard or even faded beard and mustache would be beneficial to the overall appearance. | a wide face and full cheeks |
| For a client with a _____ nose, bring hair forward at the forehead with softness around the face. | prominent |
| For a client with a _______, hair should be directed forward in the chin area. | receding chin |
| For a client with _____, you should direct the hair back and away from the face at the temples. | close-set eyes |
| The ____ profile has a prominent forehead and chin. | concave |
| Repeating lines, known as ____ lines, can be straight or curved. | parallel |
| Lines with a definite forward or backward movement are ____ lines. | directional |
| The square face shape _______. | is narrow at the middle third of the face |
| The face shape featuring a narrow forehead, extreme width through the cheekbones, and a narrow chin is the | diamond |
| The ______ face shape features a narrow forehead, wide jaw, and wide chin line. | triangular |
| The face shape featuring a wide forehead and narrow chin line is the | inverted triangle |
| Which parting is used to create the illusion of width or height in a hairstyle? | diagonal |
| The contour and proportions of the _____ face shape form the basis and ideals for evaluating and modifying all other face shapes. | oval |
| The _____ face shape features a long, narrow face with hollow cheeks | oblong |
| In hair design, the stylist follows five key strategies for successful end results including having a vision, following a plan, working at the plan, trying again and again, and _____. | taking calculated risks |
| Depending on ______, color can accent or de-emphasize a particular part of a style of client feature. | placement |
| Color acts as an illusion and helps to create lines of | attention |
Created by:
Lfranklin