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PHED
PRELIMS
| Term | Definition |
|---|---|
| Dance | It is a succession or arrangement of steps and rhythm movements to musical or rhythmic accompaniment. |
| Folk Dance | The traditional dance of an indigenous society that reflect social recreational experience of peasantry in the society pertaining to all activities people are engaged in. |
| Folk Dance | deals with the usual traditions of the past by which a multitude of national characteristics in music stops, and costume are preserved |
| Ethnic Dance | This dance reveals the peculiar characteristics of specific tribes specially their cultural, racial, religious and traditional similarities. Even if the movement patterns are not specific, this dance is rarely classified as folk dance. |
| National Dance | This refers to the type of folk dance found most widely performed in a specific country, namely, Carinosa and Tinikling. |
| Creative Dance | The premier form of dance for the purpose of entertainment. It is the result of exploration and improvisation of movements as the dancer or choreographer shows feelings or emotions, ideas and interpre |
| Creative Dance | Example: jazz , ballet and modern contemporary dancetations. |
| Gymnastic Dance | This form of dance interests most the skillful performers specially the boys, because of the stunt elements present. Interest is maintained by strenuous movements. Participants experience remarkable satisfaction. |
| Ballroom/Social | Dance This includes the artistic and decent from of dance used for recreation purposes. Fundamental steps are given as preparation for ballroom/social dancing |
| Ballroom/Social | Examples of ballroom/social dance are cha-cha-cha, swing, rumba and reggae |
| Recreational Dance | A dance performed for fun and entertainment. This includes dance mixers, square dance, and round or couple. Most of these dances have simple dance patterns based on a combination of walking steps |
| Recreational Dance | Singing Dance This is a combination of dance steps and songs performed in rhythm. The dance steps require easy techniques skill and needs a lot of training in order to develop the sense of rhythm. |
| Singing Dance | This is a combination of dance steps and songs performed in rhythm. The dance steps require easy techniques skill and needs a lot of training in order to develop the sense of rhythm. |
| Cheer dance | Sometimes referred to as cheer leading, is team physical activity using organized routines for the purpose of motivating a sports team, entertating an auldience, or competition. (home of suns.star`s cheerdance) |
| Festival Dance | Is an event ordinarily celebrated by community and centering on some characteristic aspect of that community and its religion or traditions, often marked as a local or national holiday |
| Point | to touch the floor lightly with the toes of one foot, weight of the body on the other foot. |
| Bleking | to place the heel of the foot on the floor in front or across in front. |
| Slide | to glide foot smoothly along the floor. The movement may be finished with or without transfer of weight. |
| Hop | spring from one foot landing on the same foot in the place or in any direction. |
| Swing | weight on one foot swing your right or left leg |
| Brush | weight on one foot, hit the floor with the ball or eel of the other foot (the free foot) after which that foot is lifted from the floor to any direction. |
| Step | to advance or recede by raising or moving one foot to another resting place. There is a complete transfer of weight from one foot to another. |
| Polka | Spanish – introduced dance from German |
| Arms in Lateral Position | both arms at are in one side, either right or left, at shoulder, chest, or waist level. |
| Cabeceras | when dancers are in a square formation, the couples occupying the width of the hall are called “cabeceras” |
| Costados | when dancers are in a square formation, the couples occupying the length of the hall are called “costados” |
| Clockwise | like the motion of the hands of the clock, R shoulder is toward the center of an imaginary circle. When facing center, movement s towards the |
| Counterclockwise | the reverse direction of clockwise, L shoulder is toward center. Movement is toward right when facing the center of the circle. |
| Cut | to displace quickly one foot to with the other, thus completely taking off the weight of the body from the displaced floor. |
| Free foot | the foot not bearing the weight of the body |
| Free Hand | the hand not placed anywhere, or not doing anything |
| Hayon-hayon | to place one forearm in front and the other at the back of the waist |
| Inside foot | the foot nearest one partner, when partners stand side by side |
| Inside hand | the hand nearest one’s partner, when partner stand side by side |
| Whirl | to make fast turns by executing small steps in place to right or left. |
| Kumintang | moving the hand from the wrist either in a clockwise or counterclockwise direction. |
| Leap | a spring from one foot, landing on the other foot in any direction (forward, sideward, backward, or oblique). |
| Opposite | the person standing across the set. |
| Outside Foot | the foot away from one’s partner, when partners stand side by side |
| Outside Hand | the hand away from one’s partner, when partners stand side by side. |
| Partner | girl to right of boy and boy to left of the girl. |
| Pivot | to turn with the ball, heel, or whole foot, on a fixed place or point |
| Salok | swing the arm downward upward passing in front of the body as if scooping. The trunk is bent forward following the movement of the arm doing the salok. |
| Saludo/Bow | patterns with the feet together bow to each other, to the audience, opposite dancers or the neighbors. |
| Stamp | to bring down the foot forcibly and noisily on the floor (Like doing a heavy step) with or without transfer of weight. |
| Supporting foot | the foot that bears the weight of the body |
| Tap | to rap slightly with the ball or toe of the foot, flexing the ankle joint keeping weight of the body on the other foot. There is no change or transfer of weight |
| TINIKLING | A Philippine folk dance that originated in Leyte |
| ITIK - ITIK | A cultural dance in the Philippines that originated in Surigao del Sur |
| MAGLALATIK | An example of Philippine folk dance that originated in Biñan, Laguna |
| BINASUAN | is a tribal dance in the Philippines that originated in Pangasinan |
| SINGKIL | a Mindanao folk dance that originated in Lake Lanao |
| KAPPA MALONG MALONG | – A tribal dance in the Philippines that originated from the Maranao tribe in Mindanao |
| CARIÑOSA | A local dance in the Philippines that originated in Panay Island |
| SAYAW SA BANGKO | A traditional folk dance in the Philippines that originated in Pangasinan |
| PANDANGGO SA ILAW | An ethnic dance in the Philippines that originated in Lubang Island, Mindoro |
| PANDANGGO OASIWAS | A folk dance in the Philippines that originated in Lingayen, Pangasinan |
| KURATSA | A type of folk dance in the Philippines that originated in Samar Island |
| PANTOMINA | A type of dance in the Philippines that originated in Bicol |
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