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Music:Cuba
Question | Answer |
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Cuba | the largest and most populous island on the Caribbean and lies less than 100 miles south of the Florida coast. |
Son music was born | during the 1890's in the Cuban hill towns of Santiago and Trinidad |
Son began as rural dance music for parties and other informal gatherings performed | by the Afro-Cuban community in the hills surrounding cities. |
In the earliest days of son music | most of the instruments played were brought from Spain. |
Instruments brought from Spain included | the upright bass, maracas, bongos, guitar and the Tres Cubano (3 string guitar). |
The only Sub-Saharan African instruments played when son music first began were | the claves and cowbell. |
The musical form of Cuban son is a hybrid of both | African and European influences. |
Although the song texts of son music are primarily in Spanish | African-derived terminology is also sung at times. |
The montuno section of the song form is typically at the end of the song as an | extended, improvised, call & response section. |
During the 1940's son bands gradually expanded into larger dance orchestras, and a variety of instruments were added | including congas, trumpet, and timbales. |
cascara(meaning shell) | The primary rhythmic ostinato that is played on the timbales and is played on the shell of the timbales. |
congas | play a rhythmic ostinato called a "tumbao" to compliment the driving cascara ostinato |
The piano was also added to the son dance orchestra | to play the montuno ostinato along with the Tres Cubano. |
Salsa tends to be faster than Cuban son music | reflecting the tempo of life in New York City. |
The drums and percussion are more prominently featured in | the performance often with multiple solos during a single song. |
Salsa instrumental and vocal homophony is often more complex than | son, creating polyphony using homophonic ostinatos. |
The frequent use of trombones along with trumpets as lead instruments | also makes the sound of salsa distinct from son. |
The clave (translated as "key") is | the most important ostinato in Cuban Son and many other genres of Latin American music |
primary rhythmic ostinato that influences the other musical parts. heard as a separate musical part. continues as other musical parts enter and exit the song. | Clave |
The clave used in son music | is called the son clave. |
Every clave has two halves or sides | the "2" side and the "3" side. |
If the song is written using "2:3" son clave | then the song starts by playing the "2" side. |
If the song is written using "3:2" son clave | then the song starts by playing the "3" side. |
Cuban Danzon is a style of music and dance | that was practiced by the social elite in Havana. |
Danzon is very formalized, with prescribed | social etiquette and dance structure. |
Danzon was and still is considered the | "National Dance of Cuba." |
The clave ostinato is not played or followed in the | Cha Cha Cha style. |
The guiro | a hand held gourd idiophone, also plays a specific rhythm ostinato as accompaniment |
Chanchullo | One of the first Cha Cha Cha compositions that inspired Oye Como Va |
Bolero is the music of love & romance | in much of the Spanish-speaking world. |
Although Bolero is slower | it still adheres to the clave. |
The Clave used in Bolero is | the 3:2 Son Clave |
Son Huasteco comes from a fusion | of Indigenous and Spanish traditions |
Flamenco | an art form and culture commonly associated with the Roma people of AndalucĂa in Southern Spain, where they called Gitanos. |
The very beginnings of Flamenco musical culture originated with the arrival | of the Rajasthani (Roma) people from the Thar Desert in Northwest India to Southern Spain between the 9th and 14th centuries. |
Singers and dancers often accompany themselves | with clapping, snapping, and emotional vocalizations known as jaleo. |
Cante (song) | is extremely emotional and address themes such as death, despair, anguish, and religious doubt |
Jaleo (emotional spontaneous vocalizations) | are randomly expressed adding emotional depth to the lyrics or improvised lyrics being sung. |
Baile (dance) is usually accompanied | by guitarist and a vocalist singing the Cante. |
Other important aspects of Flamenco Baile include | Palmas (hand clapping) & Pitos (finger snapping). |
Toque (guitar playing) | is a combination of Spanish classical guitar music and the slower, more ethereal (dreamy and contemplative) melodies found in Arabic music. |