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Art App
| Question | Answer |
|---|---|
| generally refers to VISUAL ART, LITERATURE, MUSIC, ARCHITECTURE, DANCE, and the THEATER; | ART APPRECIATION |
| What is appreciation? | • recognition of good qualities of person or something • a full understanding of a situation |
| What is Art Appreciation | • recognition of the good qualities and understanding of art • acquiring knowledge leads to appreciation • knowing vocabulary, concepts, themes, processes, materials • knowing context • does not require liking or loving |
| What Is Art? | Art is something that is perennially around us. Some people may deny having to do with arts but it is indisputable that life presents us with many forms of and opportunities for communion with the arts. |
| The word ART comes from the ancient Latin, arts which means | a “craft or specialized form of skill, like carpentry or smithing or surgery” |
| Arts in Medieval Latin came to mean something different. It meant | “any special form of book- learning, such as grammar or logic, magic or astrology” |
| The fine arts would come to mean | “not delicate or highly skilled arts, but “beautiful arts” |
| What are the Assumptions of Art | 1.Art Is Universal 2. Art Is Not Nature 3.Art Involves Experience |
| What is art and its importance? | Art is important because it encompasses all the developmental domains in child development. Art lends itself to physical development and the enhancement of fine and gross motor skills. |
| Beauty in terms of art refers to | an interaction between line, color, texture, sound, shape, motion, and size that is pleasing to the senses. |
| constitutes one of the oldest and most important means of expressions developed by man; | The Arts |
| art is a product of man’s need to express himself and is not limited to the revelation of emotions alone; | TRUE |
| art is the imitation of nature | TRUE |
| refers to an art form practiced mainly for its aesthetic value and beauty rather than its functional value. Fine art is rooted in drawing and design-based works such as painting, printmaking, and sculpture | fine arts |
| is a modern but imprecise umbrella term for a broad category of art which includes a number of artistic disciplines from various subcategories. | VISUAL ARTS |
| its a traditional term for an un widely range of artistic disciplines concerned with the designs and ornamentation of items, usually functional, that do not have any aesthetic qualities. | DECORATIVE ART |
| It is an application used for artistic design. Fine art may go along with this. | APPLIED ARTS |
| Is a skill used by artists. a craft is like a drawing,paper makings, texttiles,applique,crocheting,etc. | CRAFT |
| SCULPTING PAINTING LITERATURE MUSIC DANCE ARCHITECTURE THEATRE is an example of | FINE ARTS |
| CERAMICS DRAWING PAINTING SCULPTURE PRINT MAKING is an example of | VISUAL ARTS |
| CERAMICS GLASSWARE BASKETRY JEWELRY METALWARE FURNITURE CLOTHING is an example of | DECORATIVE ART |
| FURNITURES CARPETS TAPESTRY EMBROIDERY BATIK JEWELRY PRECIOUS METALWORK POTTERY GOLDSMITHING BASKETRY MOSAIC ART GLASSWARE | APPLIED ARTS |
| WOODCRAFT PAPERCRAFT POTTERY GLASS CRAFTS | CRAFT |
| refer to any person, object, scene, or event represented in a work of art. | subject of art |
| Arts that have subjects are called | REPRESENTATIONAL/non-objective arts or objective arts |
| When objects are depicted in the way they would normally appear in nature, the presentation is said to be realistic. | REALISM |
| When an artist becomes so engrossed in one phase of a scene that he does not show the subject at all as an objective reality, but only his idea of it, or his feeling about it, this is referred to as | ABSTRACTION |
| A technique employed by the artist to dramatize the shape of a figure to create an emotional effect; the figure has been drawn so that proportions differ from the natural appearance and measurements; it may also mean “twisting.” | DISTORTION |
| is a form of abstract art that often depicts the stretched forms of people or objects in nature | ELONGATION |
| Artist show subject as cut, lacerated, mutilated or hacked with repeated blows. | MANGLING |
| a combination of realism and distortion | SURREALISM |
| What can be the sources of art subjects | Nature,History,GREEK and roman MYTHOLOGY,Religion,Music,Sculpture,Architecture |
| is influenced by many works of art. This is manifested by the way we think, feel, move, or decide. Advertisements greatly influence the social behavior of the individual. Art tends to influence the collective behavior of people for cause. | Art and its SOCIAL Function |
| Many works of art were primarily made to perform functions to make our lives comfortable. | Art and its PHYSICAL Function |
| is generally defined as an art practitioner, such as a painter, sculptor, choreographer, dancer, writer, poet, musicians, and the like who produces or creates indirectly functional arts with aesthetic value using imagination. | ARTIST |
| is a craftsman, such carpenter, carver, plumber, blacksmith, weaver, embroiderer, and the like who produces directly functional and or decorative arts. | ARTISAN |
| is basically a physical worker who makes objects with his or her hands, and who through skill, experience, and ability can produce things of great beauty, as well as usefulness. | ARTISAN |
| manager or overseer and usually a curator or keeper of a cultural heritage institution | CURATOR |
| is who is manager or overseer , who may scout talents for an advertising agency seeking to employ an art director, or who may look for an art for collector or company. | ART BUYER |
| person or a company that buys and sells works of art. Art dealers often study the history of art before starting their careers. | ART DEALER |
| In museum or art-gallery environment, the term signifies that a certain work is not owned by the institution, but is on loan from an individual or organization, either for temporary exhibition or for the long term. | PRIVATE COLLECTION |
| The source is usually from | ART COLLECTOR |
| enumerated the steps in the creative process, and said that creating is a skill that can be learned and developed. | Robert Fritz |
| THREE STAGES IN THE CREATIVE PROCESS | GERMINATION,ASSIMILATION,COMPLETION |
| THREE STAGES IN ART | PRE-PRODUCTION or subject development,PRODUCTION or medium manipulation,POST PRODUCTION (completion) or exhibition, |
| The most important and difficult thing in this stage is choosing. You need to be more specific about what you want to do. You have to give to your vision a first shape, from which you decide your next steps. | GERMINATION |
| It is crucial step in the creative process. During this phase you will internalize and assimilate or incorporate the idea you want to create. | ASSIMILATION |
| is the time to finish you project, to give it the final shape before you present it to the audience. | COMPLETION |
| this ends when the planning ends, and the content starts being produced. | PRE-PRODUCTION or subject development |
| this is a method of joining diverse material inputs and unimportant inputs. | PRODUCTION or medium manipulation |
| once an artwork is finish, it will be displayed. | POST PRODUCTION (completion) or exhibition |
| It refers to the materials that are used by an artist to create a work for art. The plural of media. | MEDIUM |
| It refers to the artist’s ability and knowledge or technical know-how in manipulating the medium. | TECHNIQUE |
| the basics of Design is rightly called the “ Mother of all Designs”. Its journey begins with the Basic Elements and culminates in a Spatial Perception | Basic design |
| serves an important purpose of initiating Creativity & there by appreciating Art in many forms. | Basic design studio |
| Creativity is a process when an original or new theory along with new hypothesis results in permutation or combination together to offer new generative alternatives. | Creative Act / Creativity |
| Design process is a thinking process and the process adopted must generate Creative thinking. Creative thinking involves | Design Process |
| which is the skill & ability to convert Vision into Visuals. | Visualization |
| POINT LINE SHAPE VALUE FORM COLOR SPACE TEXTURE are the examples of | ELEMENTS OF DESIGN |
| A point or mark is the smallest and most basic element. | POINT |
| represents a visual stop. | single point |
| represent a direction. | Two points |
| makes the eyes move in a closed path. | Three points |
| is a form with width and length, but no depth. | LINE |
| is an area that is contained within implied line. | SHAPE |
| is any three dimensional object. | FORM |
| is three-dimensional volume that can be empty or filled with objects. | SPACE |
| adds the magic element to a design. | COLOUR |
| refers to the surface quality, both simulated and actual, of design. | TEXTURE |
| BALANCE PROPORTION RHYTHM MOVEMENT EMPHASIS / FOCAL POINT UNITY VARIETY HARMONY REPETITION RADIATION are examples of | PRINCIPLES OF DESIGN |
| are concepts used to organize or arrange the structural Elements of design. | PRINCIPLES OF DESIGN |
| is a psychological sense of equilibrium. | BALANCE |
| refers to the relative size and scale of the various elements in a design. | PROPORTION |
| is the repetition of visual movement of the elements-colours, shapes, lines, values, forms, spaces, and textures. | RHYTHM |
| The way the artist leads the eye in, around, and through a composition. | MOVEMENT |
| is used by artists to create dominance and focus in their work. | EMPHASIS / FOCAL POINT |
| the harmony of the whole composition | Unity |
| provides contrast to harmony and unity | Variety |
| repetitive ordering of design elements | Pattern |
| in visual design means all parts of the visual image relate to and complement each other. | Harmony |
| is the same use of the same thing more than once and arranged in different locations | Repetition |
| feeling of movement steadily bursting outwards in all directions | Radiation |
| is the use of lines lying on the same plane,equidistant which are never meeting | Parallelism |
| is a change of reality's depiction, altering it in a way that one is able to still recognize the item itself , but notices it is changed in some manner. | Distortion |
| In a Composition is divided into three parts : | Foreground , Middle ground & Background. |
| appears closest to the viewer | The Foreground |
| appears farthest to the viewer | Background |
| appears in between Foreground- Background. | Middle ground |
| -the art or practice of taking and processing photographs. | PHOTOGRAPHY |
| -The word photography comes from two ancient Greek words: | photo, for "light," and graph, for "drawing“. |
| has become a powerful means of communication and a mode of visual expression that touches human life in many ways. | PHOTOGRAPHY |
| The First Photograph, or more specifically, the earliest known surviving photograph made in a camera, was taken by | Joseph Nicéphore Niépce |
| Type of Photographers | Mobile,Studio,Events |
| Ethics in Photography | Consent,Privacy,Rights,Intellectual Property |
| when a photographer borrows another photographer’s idea and perspective to get a very similar, if not identical shot. | Image Theft |
| Images being used without any permission; and in other cases, images are “borrowed” to be altered and manipulated to create something different. | Photo Plagiarism |
| Photography purists will argue that photographs should never be altered in any way – that they should retain their originality. | Photo Manipulation |
| This includes documentary photography, news and reportage of any kind, which in some cases, also includes street photography. | Documentary, News and Reportage |
| In some cases, changes are very subtle, but in most cases, people go through complete transformations, making them look drastically different compared to the reality. | Portrait and Fashion Photography |
| We want to believe in nature being as beautiful as it is presented to us. We look at nature as something raw, innocent, something that has not been corrupted by the humanity. | Nature Photography |
| There are rules and guidelines that apply to other countries, or cultures, tribes, groups and individuals within them. | Travel Photography |
| is something very new and largely unregulated. | Drone Photography |
| have had rather odd set of rules, often disallowing any kind of post-processing on images. | The Ethics of Photography Competitions |
| WHAT IS CARTOONING? | a sketch or drawing, usually humorous, as in a newspaper or periodical, symbolizing, satirizing, or caricaturing some action, subject, or person of popular interest. comic strip. animated cartoon. |
| What is cartooning drawing? | A cartoon(from Italian: cartone and Dutch: karton—words describing strong, heavy paper or pasteboard a sketch or drawing, usually humorous, as in a newspaper or periodical, symbolizing, satirizing, or caricaturing some |
| What is Cartoon Art? | A cartoon is a form of two-dimensional illustrated visual art. |
| Why do cartoons have 4 fingers? | Animators often give characters four fingers, because theyre easier to draw and it saves a lot of time. Also, four fingers is the magic number. Giving characters five fingers has an uncanny valley effect, meaning the character looks so real, its creepy. |
| Different Types of Cartoons | Political/Editorial Cartoons. Gag cartoons. Comic Strips/Panels. Animated Cartoons. Illustrative Cartoons. |
| What is TONE? | TONE is the lightness or darkness of a colour. |
| When we add to a colour, it is called a | TINT. |
| What does TONE do? | • TONE gives dimension (it can make things look solid) • TONE can give emotion to an image • TONE can show the direction of light in an artwork (by showing shadow) • TONE can give the impression of distance |
| what is Chiaroscuro | • An Italian term that means "light- dark.” • In art it is characterized by strong contrasts between light and dark. |
| When creating _____ with light, you pair light and dark values.It creates interest in a piece and often draws the eye to certain areas. | contrast |
| Artwork that uses very little middle values, and primarily values from opposite ends of the value scale.High Contrast: | High Contrast: |
| Artwork that primarily uses a wide range of values. | Low Contrast: |
| This is the darkest dark. It is the shadow that is cast by an object on a surface that it is laying on. | The Cast Shadow |
| - This value is on the opposite side of the light source. It is not the edge of the object. | Shadow Edge |
| This is what the actual color of the object is, without any effects from light or shadow. | Mid-Tone |
| This is the light that is seen around an object, usually between the cast shadow and the shadow edge. It’s the light that is bouncing off of the surfaces around the object. This value is never bright white. | Reflected Light |
| This is where the light source hits the object at full strength. It is usually shown by the white of the paper. All the areas of gray around the full light should be blended so that there is a smooth, gradual transition between them. | Full Light |
| are actually a pretty old type of art material. | Oil pastels |
| The pastel is used for the backdrops , it is covered with an ink wash, watercolour or diluted acrylic. The pastel repels the shade and shows through. | Stencil Technique |
| Technique based on the blending of colours using the finger, stump or mineral spirits/turpentine/turpenoid. | Blending |
| Thick and dense lines that bring out the texture and the intensity of the colour of the pastel. The paper is quickly saturated. | Impasto |
| It underlines the relief and enables to obtain special effects of hues, colours and textures. | Hatching and Cross-Hatching |
| Parallel brush strokes with the tip of the pastel. | Parallel Brush Strokes |
| Slight brush strokes overlaps (of various colours). | Fragmented Colors |
| This technique enables to reduce the excess of paint on a surface, to uncover previous colour layers or the paper background. An engraving point or a painting knife may be used, or a scratchboard, or an acrylic background covered with pastel pasting. | Scratching |
Created by:
twinkol123