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Spanish Lit Terms
Term | Definition |
---|---|
vocales | vowels |
llana | describes words in which the stressed syllable is the second to last |
aguda | describes words in which the stressed syllable is the last |
esdrújulas | describes words in which the stressed syllable is the third to last |
endecasílabo | eleven syllables per line |
alejandrino | fourteen syllables per line |
prosopopeya | personification |
arte mayor | verses with more than eight syllables |
carpe diem | life is short and should be appreciated |
estrofa | stanza |
hamartia | tragic flaw: weakness of a tragic hero that leads him to catastrophe |
hipérbaton | hyperbaton: alteration to the typical order of words in a sentence |
imagen | image: literal or figurative representation of an object or sensory experience |
in media res | beginning in the middle of the action rather than before |
metáfora | metaphor: a comparison between objects in which one object is typically symbolic of another |
metonimia | metonymy: substitution of a word for the idea meant |
onomatopeya | onomatopoeia: use of words to imitate a sound |
paradoja | paradox: union of apparently irreconcilable ideas |
pareado | couplet: stanza of two lines |
parodia | parody: exaggerated imitation of something for comic effect |
prefiguración | foreshadowing: indication of events to come |
realismo mágico | magical realism: magical elements in a realistic setting |
rima asonante | assonance: type of rhyme in which only the vowels rhyme |
rima consonante | consonance: rhyme in which the last sounds rhyme |
simbolo | symbol: use of a concrete object to represent an abstract idea |
símil | simile: comparison between two objects using like or as |
sinécdoque | synecdoche: substituting the name of an object for another related object |
soneto | sonnet: poetic composition of fourteen lines |
tema | theme |
tono | tone: attitude of the author towards the material |
alegoría | allegory: story interpreted to reveal a deeper meaning |
copla | couplet: two lines of verse joined into one unit |
figuras retóricas | rhetorical figure: language device used by a writer to prompt the reader to consider the meaning from a different perspective |
hemistiquio | hemistich: half a line of verse preceded or followed by a caesura |
justicia poética | poetic justice: device in which a character is punished or rewarded based on their actions |
metro | meter: rhythmic structure of verse |
retruécano | pun: play on words involving words that sound similar or a word with multiple meanings |
octava | octave: verse consisting of eight lines |
polifonía | polyphony: aspect of narrative involving multiple perspectives |
oda | ode: lyric poem addressing a particular subject |
polisíndeton | polysyndeton: repetition of conjunctions |
pregunta retórica | rhetorical question: question posed for effect and not intended to be answered |
ritmo | rhythm: pattern of language |
serventesio | stanza of four verses of more than eight syllables with consonance; usually with a rhyme scheme ABAB |
apología | eulogy: speech in defense or praise of a person or ideology |
caricatura | caricature: work that ridicules the example it is about |
cromatismo | the use of a set or range of colors to represent ideas or emotions |
desdoblamiento | formation of two or more things through the separation of components that tend to be together; such as the manifestation of two or more personalities |
leitmotiv | leading motif: repetition of a word |
metaficción | metafiction: fiction in which the author breaks the illusion of reality in a work by referring to the artificiality of the work |
sátira | satire: a literary work whose purpose is to ridicule the subject |
narrativa epistolar | epistolary novel: a work in the form of written letters from one or multiple characters |
narrador fidedigno | reliable narrator: narrator whose understanding of the characters or the actions in the story accredit it to tell the facts |
narrador no fidedigno | unreliable narrator: narrator who misinterprets the motives or action of the characters or who does no perceive the connections between the facts of the story; creating a discrepancy between the author and the narrator because the narrator is offering inc |
narrador testigo | witness: narrator who does not participate in the action of the story but relates the facts in first person and makes commentary |
narratario | the person at whom the narrator directs the text |
parábola | parable: a short educational story whose action is applicable to another situation |
diéresis | diaeresis: pronunciation of vowels in a diphthong in separate syllables |
hiato | hiatus: separation of a sinalefa |
verso blanco | blank verse: verse that does not have any kind of rhyme with any other verse |
verso libre | free verse: verso that does not have any rhyme or metric pattern |
polimetría | polymetria: use of distinct metric forms in a single poem |
silva | silva meter: combines verses of seven and eleven syllables |
anagnórisis | anagnorisis: moment at which a character makes an important discovery or understands something about himself |
catarsis | catharsis: feeling of purification or liberation prompted by some experience |
falla trágica | tragic flaw: fatal error of the protagonist in a work that causes an irreparable harm |
pathos | in a Greek tragedy: the affection that inclines the audience towards the tragic character |
tres unidades | theatrical rule that there is only one principal action; that the action does not last more than one day; and that all of the action takes place in the same place |
cacofonía | cacophony: use of words that combine unpleasant sounds |
sinestesia | synthesthesia: description of a sensation or image by means of sensations perceived by the five senses |
conceptismo | conceptism: literary movement associated with the Spanish baroque period that is characterized by the use of word play |
culteranismo | Gongorism: Spanish literary style from the end of the 16th century and the 17th century; characterized by the excessive wealth of surprising metaphors; the exaggerated use of jargon |
diptongo | diphthong: the combination of a strong vowel (a o e) with a weak vowel (i u) |
sinéresis | two strong vowels in the same syllable |
sinalefa | blending two successive vowels into one syllable |
tetrasílabo | four syllables per line |
hexasílabo | six syllables per line |
heptasílabo | seven syllables per line |
octosílabo | eight syllables per line |
eneasílabo | nine syllables per line |
decasílabo | ten syllables per line |
dodecasílabo | twelve syllables per line |
hipérbole | hyperbole: exaggeration |
aliteración | alliteration: repetition of the same sound or group of sounds |
anáfora | anaphora: repetition of the same word or phrase at the beginning of two or more verses or sentences |
antítesis | antithesis: expression of contradictory ideas in similar phrases |
aparte | aside: technical theater term to communicate to the audience certain things that the other characters should not know |
apóstrofe | apostrophe: a passage addressing a person or thing as if it could respond |
arquetipo | archetype: a typical example or symbol of something |
arte menor | verses with eight syllables or less |
asíndeton | asyndeton: omission of a conjunction between parts of a sentence |
cesura | caesura: a pause in the middle of a line |
clímax | climax: most intense point of action in the plot |
elipsis | ellipsis: omission of elements of a sentence |
encabalgamiento | enjambment: continuation of a thought from one verse to the next |
epopeya | epic poetry: poetry in an elevated style describing a historic or legendary hero |
epíteto | epithet: addition of adjectives that are not necessary; but emphasize a certain characteristic of a thing |
estribillo | refrain: line or lines that are repeated throughout a poem |
estructura | structure: the framework of a literary work |
exposición | exposition: the beginning of a work in which the characters and premise are introduced |