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Pottery unit 3
Methods and Surface Treatment
Question | Answer |
---|---|
Wedging | A method of mixing clay |
Homogeneous | Even consistency |
Extrude | Forced through a shape |
Die | Tool in an extruder that determines size and shape of extrusion |
Casting | Molding liquid to solid |
Spring Mold | Small press mold for making pieces to add to larger work |
Representational | Art or design - Intended to look like something |
Sgraffito | Scratched design in surface color to expose underneath color |
Inlay | Insert material into depression |
Centrifugal | Moving out from center |
Reasons for wedging clay | 1. Remove air bubbles 2. Make clay homogeneous |
Bat (tools) | Used for transporting work |
Rib (tools) | Used for smoothing and shaping |
Fettling knife (tools) | Used for cutting slabs |
Modeling tool (tools) | Used for sculpting |
Trimming tool (tools) | Used for finishing wheel work |
Calipers (tools) | Used for measuring |
Slab roller (space between pin and bed determine thickness of slab) | 1. Wedge clay 2. Press the clay flat 3. Roll a thick slab 4. Re-roll the slab thin |
Clay extruder (the die determines the space of extrusion) | 1. Wedge clay 2. Press the die in the die holder 3. Place clay in the cylinder 4. Walk the plunger down the track |
Pinch (methods) | Believed to be first method of pottery making (For thin walls allow clay to stiffen before final pinching) |
Coil (methods) | Make coils thicker than desired thickness (For piece to look level stack coils in hoops) |
Slab (methods) | Make slabs in plastic state, assemble when leather hard (Miter is best joint, lap is okay, butt is not so good) |
Mold (methods) | Slip, press, slump, hump -> non-porous, molds require a barrier |
Sculpt (methods) | Consinder using a model or a picture as a reference -> Build the ruff form first and add details second |
Wheel (methods) | 1. Always start with clay that is wedged 2.Add water if clay starts to drag 3. Always keep one elbow down 4. Release pressure from the clay slowly |
Applique (methods) | Adding -> Score and add slip to both pot and piece to be added |
impressing (methods) | Stamping -> To avoid sticking to the clay, stamp material should be porous |
Incising (methods) | Carving -> Examples include relief, combing and piercing |
Slipping (methods) | Adds Color or Texture -> examples include sgraffito, slip trailing and inlay |
Burnishing (methods) | Smoothing -> A spoon works well for burnishing |