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Lit Terms #3
Question | Answer |
---|---|
literary banality demonstrates a lack of effectiveness, seems tasteless or offensive, and expresses hackneyed, stale, trite, stereotyped ideas of things | banality |
unrhymed iambic pentameter (ten syllables containing five stressed syllables, beginning with an unstressed syllable. | blank verse ex: "O what a rogue and peasant slave am I" -Hamlet |
a harsh unpleasant combination of sounds or tones. The hard "c" or "k", the hard "g" and the "t" and "d," for example when occurring close together may produce a discordant effect | cacophony |
a pause or break in the rhythmical progress of a line of poetry | caesura ex: "Then be not coy, but use your time;/And while ye may, go marry." -Robert Herrick |
literally means "seize the day"; a motif in poetry which advises the reader to enjoy the present pleasures because of the brevity of life and the finality of death | carpe diem |
the creation of imaginary persons so credible that they exist for the reader as real within the limits of the fiction; may be accomplised through direct exposition, presentation of the character in action, or representation from within a character | characterization |
an overused phrase which has lost its freshness or an over-used situation | cliche ex: "the body falling with a dull thud" "the rescue in the nick of time" |
the turning point in the action, the place at which the rising action reverses and becomes the falling action. The point in the plot of greatest excitement, intensity, or impressiveness | climax |
a humorous scene, incident, or speech in the course of a serious fiction of drama. Its purpose is to relieve tension and thereby heighten the tragic emotion by contrast | comic relief ex: The drunken porter scene in Macbeth |
the struggle which grows out of the interplay of the two opposing forces in a plot. Conflict may be internal (man against self) or external (man against man, man against nature, man against fate, or man against society.) No conflict=no plot | conflict |