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Jazz Appreciation 1
Study notes for the first exam of Dr. Scott's class
Question | Answer |
---|---|
combo | 3-5 people |
big band | 17-20 people |
African Influence | emphasis on rhythm |
European Influence | emphasis on melody, harmony, and form |
What two influences blended together to create New Orleans jazz? | European and African Influences |
congo square | A large field in New Orleans where slaves were allowed to gather on Sundays to sing, dance, and play their drums in their traditional native manner |
creoles | people with Negro and French or Spanish ancestry |
Types of music that contributed to jazz | field hollers, work songs, minstrels, religion services |
first instrumental group | marching band |
father of blues | W.C. Handy |
rural jazz | Robert Johnson, Bessie Smith, Ma Rainy |
urban jazz | Bessie Smith, Billie Holiday, Ethal Waters |
Ragtime | 2-beat (left handed), technical, composed(written), ragged/syncopated melodies, Scott Joplin (Maple Leaf Rag), Jelly Roll Morton |
Stride | 2 beat, faster => pop melodies, pure improv, Blues Tunes, James P. Johnson, Fats Walter |
Boogie Woogie | 8 beat ostinato, blues form, improv(right hand), Meade Lux Lewis, Pete Johnson, Jimmy Yancy |
syncopation | play against the beat; when up beat is accented; accent on the & |
Who organized the first jazz band? | Buddy Bolden |
King Oliver | Louis Armstrong mentor |
What are trumpet players called? | kings |
Storyville(1896-1917) | district where most entertainment happened |
New Orleans Dixieland Jazz Band Instruments | cornet, clarinet, trombone, tuba, drums, banjo |
Chicago Dixieland Jazz Band Instruments | cornet, clarinet, saxophone*, trombone, piano*, guitar*, String rags*, drum set* |
Chicago Dixieland | 2 beat, faster tempo, intros & exits, pure emphasis on improv solos, louis armstrong |
work songs | Sung without instrumental accompaniment and were associated with a monotonous regularly recurring physical task (i.e. Juliana Johnson by Ledbelly) |
minstrels | were performed in blackface and created cartoonish Negro caricatures; would become the most popular form of American stage music |
field hollers | established communication between american slaves; the bending of a tone comes from field hollers |
Buddy Bolden | credited with establishing the set instrumentation for marching bands |
Chicago Dixieland players | Bix Biederbecke, Frankie Trambauer |
New Orleans Dixieland players | Louis Armstrong, Buddy Bolden, King Oliver, Jelly Roll Morton |
2 band styles | marching band, big band |
Who was TinPan Alley? | A music publisher |