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THFM 2020
Exam II
Question | Answer |
---|---|
Images that draw upon the sense of sight | Visual |
Images that draw upon the sense of hearing | Auditory |
Images that draw upon the sense of smell | Olfactory |
Images that draw upon the sense of taste | Gustatory |
Images that draw upon the sense of touch | Tactile |
Images that draw upon the muscular involvement, awareness of body piosistion and tension | Kinesthetic |
Images that Draw upon physical movement | Kinetic |
Images that draw upon a sense of what is hot or cold | Thermal |
The poetic Impulse for the expression to move us in a poetic way,the expression needs to make meaning through indirect means (Metaphor, simile, gesture, allusion, behavior, symbols) | Indirection |
The poetic impulse for the expression to move us in a poetic way it needs to make a meaning fresh or novel way. | Primitiveness |
The poetic impulse for the expression to move us in a poetic way it needs to express its meaning in a concise, pithy, and to the point way. | Compression |
The poetic impulse for the expression to move us in a poetic way our experience of time is in some way altered. | Manipulation of Time |
Poetic Impulses | Indirection, Primitiveness, Compression, and Manipulation of Time |
To be behind time, past or past memories | Anachronic Time |
Live for the future, ahead of time | Metachronic Time |
We can live above time, signaling holiness or symbolic time | Epichronic or Mythic Time |
We can live below time, a sense og being weighed down by time | Catachronic Time |
Liveing in the present | Synchronic Time |
This is the manner in which life is sensed | Rythmic Time |
Important to the evocation of meaning and the performance of literature, the irony of silence is that it speaks | Silential Time |
Use for epic mode moments, asides, less private, adresses large groups | Open Focus |
Use for lyric mode moments, address to muse, God, inantimate oject | Semi-closed Focus |
Use for dramatic moments, dialouge, monologues | Closed Focus |
Use for lyric mode moments, private, personal thoughts, feelings | Inner-closed focus |
This is where the speaker displays openness, exuberabce, linguisitc precision, candor-a sense of freedom and release | Expression |
This is where the speaker takes care to place an image to be remembered in the mind of the listener. The speaker uses the vividness of image and detail to signifi something important | Impression |
This is where the speaker is responding vocally and physically to a sense of being "crowded in" or reveals a sense of emptiness | Depression |
This is where the speaker interjects an image that is a complete distillation of thier experience. It is concise and to the point but implies a meaning that evokes much more | Compression |
This is where the speaker knows that he or she must not speak. The speaker knows that there is something that cannot be uttered and delibratly chooses not to reveal it | Suppression |
This is where the speaker is unable to express becuase he or she does not know how | Repression |
This is where the speaker does not express becuase of the presnece or power of an opposing force. | Oppression |