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Art Appreciationtest
HCC art appreciation vocab terms plates 1301
| Question | Answer |
|---|---|
| Painting on either dry (fresco Secco) or wet (Buon or true fresco) in former, the paint is an independent layer separate from plaster proper. int buon fresco it is chemically bound to plaster integral to wall or support | fresco |
| The coloring agent of a medium | pigment |
| in ceramics material that is painted on a ceramic object that turns glassy when fired | glaze |
| paint applied THICKLY to canvas or support | impasto |
| Large flat areas of INK OR WATER COLOR diluted with water and applied with a brush | wash |
| lost wax process, bronze casting method in which a figure is modled in wax and covered with clay the whole is fired melting away the wax and hardening the clay and resulting in the harended mold is then filled with molten metal | cire perdue lost wax |
| Any sculpture in which images and forms are attached ot a background and project off it. | relief, low&high |
| opposed to relief, requires no wall support and can be experienced from all sides. | in-the-round or freestanding |
| In weaving, the HORITZONTAL Threads . WOOF | Weft |
| In weaving The VERTICAL threads held taut on a loom or weave. | warp |
| in ceramics fired at highest temperature becomes virtually translucent and extremely glossy in finish. | porcelain |
| type of ceramic fired at high temp, impermeable to water, dinner ware. | stoneware |
| ceramic made of porous clay and fired at low temperatures must be glazed to hold liquid | earthenware |
| the dispoistion of the human figure which HIPS AND LEGS TURNED in OPPOSITION to shoulders and chest creating a counter-positioning of the body | contrapposto |
| printmaking process in which only ONE impression made | monotype |
| silkscreen prints. image transfered to paper by forcing ink through a mesh areas not meant to be printed are blocked out | serigraph |
| printmaking process in which a polished stone often limestone is drawn with GREASY MATERIAL. surface moistened and then inked and the ink adheres to greasy lines. the design transferred to dampened paper. | lithography |
| in printmaking any process in which any area of the plate not to be printed is carved away, leaving only the original surface to be printed. | relief printing |
| Relief printmaking process in which a wooden block is carved so that parts not intended to print are cut away leaving the design RAISED. | woodcut |
| form of relief printmaking.Similar to wood cut but carved onto Linoleum. | linocut |
| ypoint | |
| An intaglio printmaking process in which acid bites around powdered resin resulting in a print with a granular appearance. | aquatint |
| An intaglio printmaking in which the plate is ground all over witha rocker leaving a burr raised on the surface that if inked would be rich black the surface is subsequently lighted to a greater or lesser degree by scraping away the burr. | mezzotint |
| in printmaking a single example of an edition | impression/print |
| in print making the master image. | matrix/mater image |
| in printmaking, the number of impressions authorized by the artist made from a single master image. | edition |
| A trial impression of a print made before the final edition is run so that it may be examined and if necessary corrected. | artist proof |
| dark room. Artist in box cut a hole and light would project the image. | camera obscura |
| one of earliest forms of photography by some dude daguerre in 1839 made on a copper plate polished with silver. | Daguerreotype |
| The first photographic process to use a negative image, william henry fox talbot | Calotype |
| an ADDITIVE sculptural process in which various and diverse elements and objects are combined. Think legos added all together | assemblage |
| A work made by pasting various scraps or pieces of material onto the surface of the composition | collage |
| A style of architecture and art dominant in europe from the 12th to 15th century characterized by features such as POINTED ARCHES,FLYING BUTTRESSES,and a verticality symbolic of the ethereal and heavenly | gothic architecture |
| A series of columns or piers so named because they lend to the massive stone architecture a sense of lightness and flight. | flying buttresses |
| curved semicircular architecture form that spans an opening or space built of wedge shaped locks. | round arch |
| An extension in depth of a single arch by lining up one arch behind another. (THINK TUNNEL) | barrel vault |
| The latter ccreated when to barrel vaults are made to meet at right angles | groin vault |
| bridge for transporting water. | aquaduct |
| double amphitheater. | Colosseum |
| Temple to all olympian gods. PAN THEO. ALL GODS. | Pantheon |
| opening in dome provides light for room. | Oculus |
| Omg if you get this wrong you deserve to get it wrong. | Concrete |
| reinforced bars inside concrete. honestly do you really need an explanation | Steel reinforced concrete |
| An Architectural form that projects horizontally from it support employed especially after the development of reinforced concrete construction techniques | Cantilevers |
| Falling Water,example. House built on a particular site. | Site specific design |
| overhanging roof, contemporary. fluid open interiors and rigidly geometric lines. | Prairie style |
| prairie style Site specific, cantilevers, | Falling Water |
| gothic flying butresses looks like Chartres Cathedral | Notre Dame Cathedral |
| A system of building in which two posts support a crosspiece or lintel that spans the distance between them | Post and lintel |
| Any form of printmaking in which the line is incisde into the surface of the printing plate including AQUATINT,DRYPOINT,ETCHING,ENGRAVING, MEZZOTINT | intaglio |
| Intaglio printmaking process in which the metal plate coated with wax is drawn upon with a sharp tool down to the plate then placed in an acid bath. the acid eats where the liens have been drawn and the wax is removed and the plate is inked and printed. | etching |
| Intaglio printmaking process in which a sharp tool called a burin is used to incise the plate . | engraving |
| An Intaglio printmaking process in which the copper or zinc plate is incised by a needle pulled back across the surface leaving a burr | drypoint |
| cross shaped plan, the nave the transcept, aisles go down the side, an ambulatory an aisle around the circle | Basilica plan (What is the:medium/binder and solvent/vehicle of:oil paint, encaustic, tempera, watercolor) |
| method of painting with molten beeswax fused to the support after application by means of heat. MEDIUM= WAX, SOLVENT HEAT | Encaustic |
| LINSEED OIL= Medium Paintthinner= Solvent | Oil paint |
| EGG YOLK= medium Water= solvent | Tempura |
| Gum arabic= medium water= solvent | water color |
| plastic= medium water= solvent | Acrylic |
| Falling water | Frank Lloyd Wright, |
| Adam and Eve engraving | Albretch Durer, |
| prophet wood cut | Emile Nolde, |
| harvest of death gettysburge, photography COLLOID PRINT | Timothy O’Sullivan, |
| daguerrottype | Niepce & Daguerre |
| Monogram, that goat god awful looking thing | Robert Rauschenberg |
Created by:
magnapersian