Poetry Terms WGU
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| Stanza | A recurring pattern of 2 or more lines of verse, poetry's equal to a paragraph
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| Couplet | A 2 line stanza in poetry, usually rhymed which tends to have lines of equal length.
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| Tercet | A group of 3 lines of verse, usually all ending in the same rhyme.
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| Quatrain | A stanza consisting of 4 lines. The most common stanza used in English language poetry.
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| Sestet | A poem or stanza of 6 lines. Usually used when speaking of the last 6 lines in an Italian sonnet.
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| Octave | A stanza of eight lines. First eight lines of an Italian sonnet.
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| Verse | Refers to any single line of poetry, or to any composition in lines of more/less regular rhythm.
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| Stress | An emphasis or accent placed on a syllable in speech.
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| Symbol | A person, place, or thing in a narrative that has multiple meanings beyond it's literal sense.
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| Free Verse | A type of poetry written NOT using strict meter or rhyme.
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| Prose Poetry | Poetry written in a block paragraph form.
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| Visual Poetry | Arranging the words of a poem to make the outline of the words represent a meaning of the poem.
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| Found Poetry | Arranging poetry from unlikely places (road signs, etc), where you may delete and repeat, but not add anything.
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| Accentual-syllabic | A meter that uses a consistent # of stresses per line. Unstressed syllables may vary, but stressed syllables do not.
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| Ballad | A poem meant to be sung, with a compressed,dramatic, narrative style made up of quatrains.
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| Conceit | A poetic device using dramatic comparisons. Ex: equating a loved one with the beauty of the world.
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| Diction | Word choice or vocabulary. May be specific (concrete) or abstract.
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| Epic | A long narrative poem depicting the adventures of a legendary or mythic hero.
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| Enjambment | Run on lines. Moving from one sentence to the next without punctuation.
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| Figurative Language | Intentional departure from the normal meaning of words. Describing something by comparison.
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| Foot | The unit of measure in poetry made up by the pattern and order of stressed & unstressed syllables.
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| Monometer | A verse meter made up of one primary stress per line.
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| Dimeter | A verse meter made up of two metric feet or two primary stresses per line
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| Trimeter | A verse meter made up of three metric feet or three primary stresses per line.
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| Tetrameter | A verse meter made up of four metric feet or four primary stresses per line.
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| Pentameter | A verse meter made up of five metric feet or five primary stresses per line.
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| Hexameter | A verse meter made up of six metric feet or six primary stresses per line.
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| Heptameter | A verse meter made up of seven metric feet or seven primary stresses per line.
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| Octameter | A verse meter made up of eight metric feet or eight primary stresses per line.
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| Nonameter | A verse meter made up of nine metric feet or nine primary stresses per line.
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| Decameter | A verse meter made up of ten metric feet or ten primary stresses per line.
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| Form | The way in which an author expresses the meaning & content of their work.
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| Blank Verse | Unrhymed poetry written in iambic pentameter.
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| Haiku | A Japanese verse form with 3 unrhymed lines of 5,7,5 syllables. Usually set in nature.
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| Limerick | A short,comic verse of 5 lines usually rhyming aabba, with stresses per line 3,3,2,2,3.
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| Epigram | A very short, comic poem usually ending with a sharp turn of wit or meaning.
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| Triolet | A short lyric poem of 8 rhymed lines. The 2 opening lines are repeated according to a set pattern.
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| Villanelle | 6 rhymed stanzas in which 2 lines are repeated in a prescribed pattern.
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| Sestina | A complex verse, where 6 END words are repeated in a prescribed order through 6 stanzas and ends with 3 lines in which all 6 words appear. 39 lines total.
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| Imagery | The collective set of images in a poem.
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| Internal Rhyme | Rhyme that occurs within a line of poetry, as opposed to end rhyme.
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| Lyric | A short poem, written in first person, portraying their thoughts and feelings with a songlike immediacy and emotional force.
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| Meter | A recurrent, regular,rhythmic pattern in verse when stresses recur at fixed intervals.
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| Iambic | (u /) A metrical foot in which an unaccented syllable is followed by an accented syllable.
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| Trochaic | (/ u) A metrical foot in which an accented syllable is followed by and unaccented syllable.
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| Anapestic | (uu/)A metrical foot in which 2 unaccented syllables are followed by 1 accented syllable.
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| Dactylic | (/uu)A metrical foot in which 1 accented syllables are followed by 2 unaccented syllable.
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| Monologue | An extended speech by a single character where the speech has listeners.
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| Narrative Poetry | A poem that tells a story.
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| Ode | A poem directed to a single purpose with a single theme. Accompanied by music.
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| Rhyme Scheme | Any recurrent pattern of rhyme within a poem. Represented by small letters for end rhyme.
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| Exact Rhyme | A full rhyme in which the sounds following the initial letters are identical.
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| Slant Rhyme | A rhyme in which the final consonant sounds are the same but the vowel sounds are different. Ex. litter & letter
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| End Rhyme | Rhyme that occurs at the ends of lines, rather than within them.
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| Scansion | Used to describe rhythmic patterns by diagnosing metrical feet, syllables, accents, and pauses.
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| Syllabic Verse | A pattern of a certain number of syllables to a line.
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| Italian or Petrarchan Sonnet | Love poetry 14 lines, broken into an Octave (abba, abba) and a Sestet with any rhyme scheme as long as it does not end in a couplet. Turns focus after the octave.
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| English or Shakespearean Sonnet | Love poetry 14 lines, broken into 3 Quatrains and a Couplet. abab cdcd efef gg . Turns after the quatrains.
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| Spenserian Sonnet | Love poetry 14 lines,3 Quatrains and a Couplet.abab bcbc cdcd ee. Turns after the quatrains.
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| Transferred Epithet | A figure of speech where the poet attributes some characteristic of a thing to another thing closly related to it. A kind of metonymy. Places an adj next to a noun where it does not seem logical, but has expressive power. Ex: "blind mouths"
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