Chapter Thirteen Color
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| Temporarily | show 🗑
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| show | either by adding or removing color pigment
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| Color | show 🗑
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| Wavelengths | show 🗑
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| Pure Colors | show 🗑
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| Secondary Colors | show 🗑
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| Tertiary Colors | show 🗑
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| Color-Wheel | show 🗑
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| show | also referred to as tone or hue
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| Tone of hair color can be described | show 🗑
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| show | colors found opposite one another on the color wheel referred to as complementary colors
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| Neutral Colors | show 🗑
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| show | is the degree of lightness or darkness of a color, relative to itself and to other colors.
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| show | is a numbering system that identifies the lightness or darkness of hair colors:Level one the darkest level, the lightes hair colors are leve twelve
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| show | blue
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| Medium of the three primary colors | show 🗑
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| lightest of the three primary colors | show 🗑
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| show | Contributing pigment & Artificial pigment
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| show | pigment that gives hair its natural color
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| show | cuticle, the cortex and medulla
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| Melanocytes | show 🗑
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| show | Eumelanin
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| Red pigment | show 🗑
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| apply one level lighter | show 🗑
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| apply one level darker | show 🗑
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| show | you may need to pre-soften or pre-lighten the hair first by mixing and applying a lighter shade to make it porous enough to receive the final color application
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| show | 12-Palest Blonde 11-Lightest Blonde 10-very light blonde 9-light blonde
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| Medium level of hair | show 🗑
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| Dark level of hair | show 🗑
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| show | identifies the warmth, coolness or neutrality of a color
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| show | the intensity of an artificial hair coloring by adding a complementary color or it can be increased or strengthened by adding a concentrated color such as yellow, red, blue, green or violet
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| Texture | show 🗑
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| Porosity | show 🗑
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| show | the cuticle layers are smooth, tightly packed and compact
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| Average porosity | show 🗑
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| show | the condition in which the cuticle is lifted or missing
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| filler | show 🗑
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| Contributing pigment | show 🗑
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| Artificial Pigment | show 🗑
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| show | choose the color formula
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| show | not mixed with developer- Temporary/Semi-permanent
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| show | (mixed with developer)long lasting semi-permanent (demi-permanent)permanent, toners, and fillers
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| Lighteners | show 🗑
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| show | vegetable, metallic,and compound dyes
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| non-oxidative colors | show 🗑
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| show | as the name implies, are used to create temporary color changes that last from shampoo to shampoo. also known as color rinses.weekly rinses,color mousses and gels, color crayon, mascaras, pomades, spray-on colors and color-enhancing shampoos and cond.
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| show | colors deposit color and cannot lighten the hair.
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| show | deposit color or lift (lighten) and deposit color in a single-process technique
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| show | (demi-permanent) oxidative colors without ammonia
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| permanent colors | show 🗑
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| oxidative colors | show 🗑
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| show | and dye solvents, are designed to lift artificial pigment
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| show | low volume of hydrogen peroxide, last 4 to 6 weeks contain very little ammonia also known as demi-permanent
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| permanent colors | show 🗑
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| alert | show 🗑
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| toners | show 🗑
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| show | provide an even base color by filling in porous damaged or abused areas with materials such as protein or polymers. They equalized the porosity of the hair and deposit a base color in one application
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| concentrates, intensifiers and drabbers | show 🗑
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| lighteners | show 🗑
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| degrees of decolorization | show 🗑
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| show | if the desired color result is different from what can be achieved with decolorizing alone, color can be applied to recolorize the hair to the shade desired
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| on-the-scalp | show 🗑
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| off-the-scalp | show 🗑
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| show | taking the decolorization process one step further by recolorizing the hair will enable you to see the role the contributing pigment plays on the final color result.
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| show | with a pH of 2.5 to 4.5 are oxidizing agents used with demi-permanent and permanent color, lighteners and toners.
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| Hydrogen peroxide | show 🗑
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| ALERT! | show 🗑
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| metal bowl | show 🗑
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| show | vegetable, metallic and compound dyes
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| show | you are looking at a color design and identifying if what you see is a light, medium or dark hair color
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| show | looking a bit closer will help you identify the family of hair color and the warmth or coolness of the hair
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| abstract | show 🗑
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| sculpted form | show 🗑
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| existing/desired level | show 🗑
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| zonal patterns | show 🗑
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| coloring within shapes | show 🗑
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| color application techniques | show 🗑
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| base to ends (darker result) | show 🗑
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| show | the midstrand-to-ends-then-base technique is used to lighten the existing color by applying the new color or lightener to the midstrand,generally 1/2"(1.25)away from the scalp. The midstrand-to-ends-thenbase application is also known as a virgin lightener
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| base(retouch) | show 🗑
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| show | involves the positioning of highlights and/or lowlights (lights and/or darks) on the surface of the hair or to selected strands throughout the design to create special effects
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| show | making isolated strands lighter
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| lowlighting | show 🗑
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| show | techniques are generally used to add depth and dimesion to the existing hair color
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| show | is a technique in which a tool is used to strategically position color or lightener on the hair. also known as surface painting
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| end lights | show 🗑
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| cap method | show 🗑
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| retouch for dimensional coloring techniques | show 🗑
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Created by:
arlenebermudez
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