The Rite Of Spring Test
Enter the letter for the matching Answer
| A. Cor anglias four note ostinato (figure 14)
Diatonic horn solo with acciaccatura ornament (figure 25)
Alto flute variation of diatonic horn solo (figure 27)
Conjunct bassoon idea (figure 19)
Triplet repeated note idea (figure 15, figure 26)
B. Bassoon solo uses only five pitches (opening bars, figure 12)
Oboe phrase with distinct rising fifths (figure 5)
Polychordal meaning the combination of chords belonging to different key signatures (figure 11)
Constant use of harsh dissonance
C. Bassoon solo (opening bars, figure 12)
Cor anglais idea with distinct rising perfect fourth (figure 2)
Oboe phrase with distinct rising fifths (figure 5)
Clarinet in D idea at a high pitch (after figure 9)D. Frequent and unusual time signature changes (figure 47)
Compound triple time signature (figure 37)
Polyrhythmic bass effect in 4 and 5 with strings playing in 9/8 (figure 41)
E. Polyscalarity with single melodies featuring in two different keys (figure 6)
Tonality together with register and timbre make distinct layers (figure 6)
Element of asserting tonality by simple stressing of a single key note
F. Piccolo octave up
D bass octave down
D bassoon octave down
G Al flute p4 down
F c anglias p5 down
F horn p5 down
D clarinet m2 up
D trumpet m2 up
Bb clarinet m2 down
A clarinet m3 down
Bb bass clarinet m9 downG. Augurs chord is an inversion of dominant 13th and uses notes from octatonic scale (figure 13)
Chromatic scales in woodwind (figure 17)
Four trumpets together produce parallel 7th chords (figure 28)
H. Diatonic melody in woodwind (figure 37)
Horn figure with two notes a fifth apart (figure 40, figure 44)
Conjunct quaver idea played homorhythmically (figure 43)
Conjunct quaver idea played homorhythmically returns a third lower (figure 46)
I. WHO: Igor Stravinsky
WHAT: Russian Ballet
WHERE: Paris
HOW: Large "Korsakov" stylistic orchestra
WHY: Sergei Diaghilev's Ballet Russes
WHEN: 1913J. Monophonic (opening bars, figure 12)
Additive (during opening bars)
Balance of polyphony affected by dynamics (figure 4)
Parallel motion (figure 7)
Main solo strands with polyphony (figure 10)
Breaks into several families (figure 11.2)
K. Sustained flute trills (final bars)
Prominent percussion (figure 37)
Upbeat glissando played in high tessitura (figure 45)
L. Melody: Conjunct with minor third leap
Harmony: Clashing chordal chromaticism
Tonality: Implied modal D minor
Rhythm: Compound quintuple with downbeat accents
Texture: Unexpected contrasts marked by voices
Sonority: Militaristic snareM. Augurs chord reinforced by eight horns (figure 13)
Prominence in timpani and bass drum (before figure 22)
Flamboyant alto flute echoing diatonic horn solo (figure 27)
N. Bitonality with Augurs chord (figure 13)
Chromatic scale passages (figure 15, figure 17)
Mixture of modal or melodic and minor scales (figure 28)
O. Melody: Chromatic alternations between two notes
Harmony: Minor chord with chromaticism
Tonality: F minor with an ambiguous cadence
Rhythm: Sustained note values
Texture: Ominous tonic bass note
Sonority: Ethereal bells with low stringsP. New diatonic melody from mixolydian scale in woodwind (figure 37)
Mixolydian idea returns up a semitone (figure 40)
Conjunct quaver idea played homorhythmically returns a third lower (figure 46)
Q. Rubato meaning free rhythm (opening bars, figure 12)
Polyrhythm (figure 11.3)
Innovative use of silence (figure 12)
No dotted rhythms
R. Trumpets hold a loud chord of Eb7 or the notes of the cor anglias idea (figure 37)
Flattened 7th C in D major scale
Dissonant chromatic scales in consecutive seconds (figure 39)
Loud dissonant chords punctuate the texture (figure 47)
S. Innovative use of silence (before figure 22)
Two against three cross rhythms (figure 15)
Syncopation at the realm (figure 31)
Repeating ostanati with blocks of rhythm drive the music forward (figure 13)
T. Bassoon solo in high register (opening bars, figure 12)
Flutter tonguing in flutes (bar 60)
Harmonics and glissando harmonics (figure 11, figure 10)
Horizontal positioning in top flutes in D harmonic (figure 6)
|
Type the Answer that corresponds to the displayed Question.
Embed Code - If you would like this activity on your web page, copy the script below and paste it into your web page.
Normal Size Small Size show me how
Normal Size Small Size show me how
Created by:
13hored
Popular Music sets