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Music History Exam 1
Term | Definition |
---|---|
Chant | Monophonic; Used in the church as part of the liturgy |
Mass | Symbolic reenactment of the Last Supper; The most important service in the Catholic Church |
Motet | Latin, polyphonic, came after organum; Different lines of text happening simultaneously, the original text in the tenor voice and different text in the line(s) above |
Organum | Early polyphony; Took chant and added something to it; Multiple forms: parallel organum, and mixed parallel & oblique organum |
Chanson | Secular French song; Composed by troubadours, trouveres, and trobairitz |
Madrigal | Italian style from Italian Trecento |
Formes fixes | "Fixed forms"; French songs in 14th century that have particular patterns of repetition: Ballad, Rondeau, and Virelai |
Italian Trecento | Italian secular music: Madrigal, Caccia, and Ballata |
Liturgical drama | A religious play; Example: Ordo Virtutum |
Musical plays | Secular play; Example: Adam de la Halle's Robin and Mario |
Versus | Sacred Latin song; Typical topics of Jesus' birth and the Virgin Mary |
Conductus | Could be secular OR sacred Latin song |
Laude | Italian sacred song |
Goliard songs | Latin songs sang by goliards (wandering students and clerics); Topics were not limited to anything |
Cantiga | Spanish or Portuguese monophonic songs; Typically about the Virgin Mary |
Minnelieder | German songs sang by Minnesingers |
Ars Nova | Meaning "new art"; French style of polyphony that started divisions of two OR three; Inventor was Phillipe de Vitry |
Cantus firmus | Name of the tenor line specifically in motets |
Channsoniers | French song books used by troubadours, mostly poems |
Discant organum | Both parts move at about the same rate with 1-3 notes in the upper part for each note of the lower voice |
Duplum | 2 voices; First added line above the tenor line |
Epic | Heroic songs about good deeds |
Gamut | The whole collection of notes in the mode or scale (Ut Re Mi Fa Sol La) |
Guidonian Hand | Solfege on the hand, different points had a different pitch associated |
Hocket | Compositional technique of alternating voices; "Hiccup" |
Isorhythms | Compositional technique of a repeated rhythmic pattern of the tenor voice; 2 elements: Talea and Color |
Talea | Rhythmic pattern of isorhythm |
Color | Melody of the isorhythm |
Magnus liber organi | Book of organum associated with Notre Dame polyphony and Leonin and Perotin |
Minnesinger | German knightly singer |
Melismatic | Long melodic passages for one syllable |
Mixed parallel and oblique organum | Parallel fourths except for where there are tritones |
Monophony | Unison singing, all on the same pitch or in octaves |
Musica ficta | Music outside of the normal gamut (chromatic alterations); Done to avoid tritones; Weren't always written out in the music |
Neumatic | 1-3 pitches per syllable; In between syllabic and melismatic |
Neumes | 1st notation system; Didn't give a specific rhythm or pitch, but gave number of notes and whether the melody ascended, descended, or repeated |
Heightened neumes | Neumes placed at varying heights; Indicated relative size and direction of intervals |
Organal Voice | Added voice above the tenor |
Principal Voice | Original voice, or tenor voice |
Parallel organum | Added voice that is a parallel fifth below |
Polyphony | Different melodies happening simultaneously |
Polytextual | More than one text within a composition; The Motet |
Quadruplum | Four voiced polyphony; Perotin composed quadruplum |
Reciting tone | Repeated note in the melody |
Final tone | Main note in the melody; Comparable to the tonic |
Responsorial | Soloist alternates with the choir or congregation |
Rhythmic modes | Notre dame polyphony; 6 different "modes" to choose from; All have a 6/8 feel |
Syllabic | Each syllable gets one note |
Tenor | Lowest voice; Original chant line; In a motet called the cantus firmus; In early organum called the principal voice |
Triplum | Three voiced polyphony |
Trope | Expansion on existing chant; Added words, notes, text, etc. |
Troubadour | Male singer from Southern France; Language: Occitan |
Trobairitz | Female singer from Southern France; Language: Occitan |
Trouvere | Singers from Northern France; Language: Old French |
Who was Hildegard of Bingen? | Sacred composer, known for Liturgical drama |
Who were Leonin and Perotin? | Associated with Notre Dame Polyphony; Leonin composed 2 voice organum; Perotin composed 3-4 voice organum |
Who was Machaut? | Well known French composer of the 14th century; 1st to compile all his works; Famous for Mass of Our Lady |
Who was Francesco Landini? | Italian composer; Wrote Italian Trecento: Had a cadence named after him because he used it a lot |
Who was Phillipe de Vitry? | The inventor of Ars Nova |
Who was Comtessa de Dia? | A Trobairitz |
Who was Bernart de Ventadorn? | Troubadour who most likely brought Troubadour songs to North of France and inspired the development of Trouveres |
Who was Guido of Arezzo? | A monk and an early music theorist; He invented the 4 lines, color associations with certain lines, the gamut, and the Guidonian hand |
Who was Roman de Fauvel? | A donkey part of French political satire of the corruption in politics; Important because of the use of isorhythms and it was also part of Ars nova; Written by Phillipe de Vitry |
What are the parts of the Mass Ordinary in order? | Kyrie, Gloria, Credo, Sanctus, and Agnus Dei |
What are some instruments of the medieval period? | Transverse flute: Similar to modern flute, made of wood/ivory and did not have keys; Shawm: Double reed instrument similar to the oboe; Pipe and tabor: High whistle fingered w the left hand while the right hand beat a small drum w/ a stick |
What is the difference between the Mass Ordinary and the Mass Proper? | Mass Proper: Text changes from day to day and they were named by their function; Mass Ordinary: Text does not change and they were named by their first word |
Who was the Mass for the Dead attributed to? | Thomas of Celano |
Who composed Ordo virtutum? | Hildegard of Bingen |
Who composed A chantar? | Comtessa de Dia |
Who composed Viderunt omnes? | Perotin |
Who composed La Messe de Nostre Dame | Machaut |
Who composed Cosi pensoso | Francesco Landini |